Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Centre Pompidou (11/05/2010)
Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
Dates:
07 February - 14 March 2009
Opening: 06 February, 2009 at 18h
Opening Hours:
Monday to Friday 10-19h
Saturday 14-18h
Venue:
Galerie Natalie Seroussi
34, Rue de Seine
75006 Paris
Tel: +33 (0)1 46 34 05 84
Image:
1716, 2008
MiniDV transferred to DVD
07 min 12 sec
Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
We are pleased to announce the 30° Panorama da Arte Brasileira at the Museu de Arte Moderna de São Paulo, MAM.
Date:
20 October 2007 - 06 January 2008
Tuesday to Sunday: 10h to 18h
Venue:
Museu de Arte Moderna de São Paulo - MAM
Parque do Ibirapuera, portão 3 - s/nº
São Paulo - SP - Brasil
04094-000
+55 11 5085-1300
Image: Marcellvs L.
0434, 2006
HDV
06'56"
More Information:
http://www.mam.org.br/
44th New York Film Festival (12/04/2006)
The Tenth Annual Views from the Avant-Garde
A Special Presentation of the 44th New York Film Festival
October 7, 8 & 15, 2006
0778 man.road.river
Marcellvs l, Brazil, 2004; 9m
man.road.river introduces a space that is viscous and indeterminate. An image is an aspic, and an adhesive in which an event is held in a optical resemblance that creates difference according to its luxuriance or degradation, its infidelities to the original event. There is always something missing as well as added, insinuated into the copy. The quality and character of movement in a moving image is redefined by its residence inside the given texture of the medium and the precise nature of the shot. Passing time moves with and against that texture and within the length of a shot builds up it’s own “cabin pressure.” Its natural measure attenuated by minute resistances and frictions and the grade of the slope, just as we might swim or climb depending on the medium we are confronting. This friction in turn perturbs or compounds the texture through its force and abrasion. In man.road.river different bodies and mediums come into contact. The man fords the shallows of an overflowing river and walks thorough a compressed depth of field without altering his course or increasing his limited awareness of the image to which he contributes a central energy. Elements cohere or at least cling in confusion and the witnessed event is rendered as something else, a version of what occurred and the concretization of a mirage, something that never occurred (externally) until it passed through the lens. The ephemeral saved and held in captivity is made to repeat itself in terms that are natural enough but unevenly translated. A recognizable shape but unidentified
man emerged from a walking chrysalis ( globular soft focused and near sepia )into greater definition and scale. The man continues unimpeded down the road. Out of frame, out of mind. – Ana Silviera
Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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