Marcellvs L. at carlier | gebauer "Die Wahrscheinlichkeit, dass nichts passiert" (01/18/2013)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
Dates:
07 May - 23 May 2009
Opening: 06 May, 2009 at 18h
Opening Hours:
Thursday to Saturday 15-19h
Venue:
ASSOCIAÇÃO ARTE CONTEMPO
R. dos Navegantes 46A
1200-732 Lisbon (Estrela/Lapa)
Portugal
http://estadosgeraisinfo.blogspot.com/2009/03/historia-do-futuro.html
07 May - 23 May 2009
Opening: 06 May, 2009 at 18h
Opening Hours:
Thursday to Saturday 15-19h
Venue:
ASSOCIAÇÃO ARTE CONTEMPO
R. dos Navegantes 46A
1200-732 Lisbon (Estrela/Lapa)
Portugal
http://estadosgeraisinfo.blogspot.com/2009/03/historia-do-futuro.html
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
Looking Back: Retrospectives
In its annual round-up frieze asked critics and curators from around the world to choose what, and who, they felt to be the most significant shows and artists of 2007:
EMERGING ARTISTS:
Marcellvs L. is a Brazilian video artist who has recently moved to Berlin. His ‘Rhizome’ series comprise mostly single-sequence shots in which the video camera is held still, at times drifting in and out of the subject: a seemingly ordinary moment, a detail or fragment, of city life. Recently he has been developing more ambitious video installations, which are full of delicate takes and revelations on time, progression and life itself.
by Adriano Pedrosa*
*Curator and art critic ("Artforum", "Flash Art", "Frieze"…), Adriano Pedrosa co-curated the São Paulo Biennial in 2006.
In its annual round-up frieze asked critics and curators from around the world to choose what, and who, they felt to be the most significant shows and artists of 2007:
EMERGING ARTISTS:
Marcellvs L. is a Brazilian video artist who has recently moved to Berlin. His ‘Rhizome’ series comprise mostly single-sequence shots in which the video camera is held still, at times drifting in and out of the subject: a seemingly ordinary moment, a detail or fragment, of city life. Recently he has been developing more ambitious video installations, which are full of delicate takes and revelations on time, progression and life itself.
by Adriano Pedrosa*
*Curator and art critic ("Artforum", "Flash Art", "Frieze"…), Adriano Pedrosa co-curated the São Paulo Biennial in 2006.
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9e Biennale de Lyon 2007 (09/14/2007)
00s - The History of a Decade That Has Not Yet Been Named
Conceived of as a history and geography manual in the form of a game, the 2007 Lyon Biennial is inviting sixty-six Players from all over the world. Forty-nine of them (curators, art critics...) are being asked to answer the following question: "Who, in your opinion, in the artist who best represents this decade?". Seventeen other Players - artists - each devising a program, a system or a problematics intended to define the decade in progress.
Player - Curator: Adriano Pedrosa
Guest artisit: Marcellvs L.
Dates: Wednesday 19 September 2007 - Sunday 6 January 2008
Opening Hours:
Tuesday-Sunday 12:00 - 19:00
Late night opening: Fridays: 12:00 - 22:00
Closed Mondays
Exhibition Venues:
La Sucrière - Confluent
Port Rambaud, quai Rambaud, 69002 Lyon
Villeurbanne Institute of Contemporary Art
11, rue Docteur Dolard, 69100 Villeurbanne
Conceived of as a history and geography manual in the form of a game, the 2007 Lyon Biennial is inviting sixty-six Players from all over the world. Forty-nine of them (curators, art critics...) are being asked to answer the following question: "Who, in your opinion, in the artist who best represents this decade?". Seventeen other Players - artists - each devising a program, a system or a problematics intended to define the decade in progress.
Player - Curator: Adriano Pedrosa
Guest artisit: Marcellvs L.
Dates: Wednesday 19 September 2007 - Sunday 6 January 2008
Opening Hours:
Tuesday-Sunday 12:00 - 19:00
Late night opening: Fridays: 12:00 - 22:00
Closed Mondays
Exhibition Venues:
La Sucrière - Confluent
Port Rambaud, quai Rambaud, 69002 Lyon
Villeurbanne Institute of Contemporary Art
11, rue Docteur Dolard, 69100 Villeurbanne
Bullukian Foundation
26 Place Bellecour – 69002 Lyon
Lyon Museum of Contemporary Art Cité Internationale
81, quai Charles de Gaulle, 69006 Lyon
*Image: Marcellvs L.
spree, 2007
one-channel video installation, four-channel sound system
07'06"
More Information:
www.biennale-de-lyon.org
26 Place Bellecour – 69002 Lyon
Lyon Museum of Contemporary Art Cité Internationale
81, quai Charles de Gaulle, 69006 Lyon
*Image: Marcellvs L.
spree, 2007
one-channel video installation, four-channel sound system
07'06"
More Information:
www.biennale-de-lyon.org
Posted by: caosmos.org
ebbing.flowing | installation's view (01/18/2007)
Wer mich lenkt ist das Meer (01/08/2007)
carlier | gebauer
Press release
Marcellvs L. | Wer mich lenkt ist das Meer | Arch 51, 52
13th January – 17th February 2007, Tuesday to Saturday, 11 a.m. - 6 p.m.
Vernissage: Friday, 12th January 2007, 6 p.m.
We are delighted to announce Marcellvs L.’s first gallery exhibition at carlier | gebauer.
In his works Brazilian video-artist Marcellvs L. (1980, Belo Horizonte, Brazil) slows down time, creating a tangible physical staging of time. He sets the most commonplace objects in a filmic modus of duration, seemingly detached from reality: a rope moves in water (“untitle:rope”), a man walks along a street, wind blows through leaves, a boat moves slowly to and fro (“ebbing. flowing”).
Despite digital retouching processes, Marcellvs L. forges on with an aesthetic of the raw visual material, asserting, through the pixels and electrons that remain visible, its status as incidental, unfinished. The contingency of what is depicted or filmed is reiterated, subtly staged, on the representational level. This two-pronged approach underscores the process- and event-oriented nature of his films; nothing happens in these works, which have a radically anti-narrative structure. The actual event is the extension of time, while duration is the real protagonist. Marcellvs L. banks provocatively on the patience of the viewer, compelled to wait, only to discover the waiting has been in vain, realising ultimately that the focus is actually on a heightened form of his or her own attention
Press release
Marcellvs L. | Wer mich lenkt ist das Meer | Arch 51, 52
13th January – 17th February 2007, Tuesday to Saturday, 11 a.m. - 6 p.m.
Vernissage: Friday, 12th January 2007, 6 p.m.
We are delighted to announce Marcellvs L.’s first gallery exhibition at carlier | gebauer.
In his works Brazilian video-artist Marcellvs L. (1980, Belo Horizonte, Brazil) slows down time, creating a tangible physical staging of time. He sets the most commonplace objects in a filmic modus of duration, seemingly detached from reality: a rope moves in water (“untitle:rope”), a man walks along a street, wind blows through leaves, a boat moves slowly to and fro (“ebbing. flowing”).
Despite digital retouching processes, Marcellvs L. forges on with an aesthetic of the raw visual material, asserting, through the pixels and electrons that remain visible, its status as incidental, unfinished. The contingency of what is depicted or filmed is reiterated, subtly staged, on the representational level. This two-pronged approach underscores the process- and event-oriented nature of his films; nothing happens in these works, which have a radically anti-narrative structure. The actual event is the extension of time, while duration is the real protagonist. Marcellvs L. banks provocatively on the patience of the viewer, compelled to wait, only to discover the waiting has been in vain, realising ultimately that the focus is actually on a heightened form of his or her own attention
and perception.
Generating a permanent delay however has nothing to do with deprivation in the Beckettian sense of the term: the time that does not pass constructs a locus that is not just an interface between the unconscious and reality, but instead allows perception to take on physical form. This physicality, produced by the sound and rhythm of the films too, makes the videos into passages for the viewer, turns the films into a space of transit in which he or she is confronted with the potential of what is possible.
The videos focus on details devoid of context that determine the image. The minimal content contained in the minimalist film image – the videos border on abstraction and operate with vanishing contours – does not even allow representation to occur; it becomes one with the surface of the expanded time.
In the “VideoRhizome” series he has been working on since 2002 – the title highlights the reference to Deleuze/Guattari – Marcellvs L. has developed a concept of infection and action as components of his art. The 2,480 tapes sent at random to households around the world since 2002, with no indica-tion the sender’s identity, are rooted in the conviction that time is poli-tical. The uncontrollable circulation of the filmed extension of time, dis-seminated and spreading the risk of contagion as widely as possible,
Generating a permanent delay however has nothing to do with deprivation in the Beckettian sense of the term: the time that does not pass constructs a locus that is not just an interface between the unconscious and reality, but instead allows perception to take on physical form. This physicality, produced by the sound and rhythm of the films too, makes the videos into passages for the viewer, turns the films into a space of transit in which he or she is confronted with the potential of what is possible.
The videos focus on details devoid of context that determine the image. The minimal content contained in the minimalist film image – the videos border on abstraction and operate with vanishing contours – does not even allow representation to occur; it becomes one with the surface of the expanded time.
In the “VideoRhizome” series he has been working on since 2002 – the title highlights the reference to Deleuze/Guattari – Marcellvs L. has developed a concept of infection and action as components of his art. The 2,480 tapes sent at random to households around the world since 2002, with no indica-tion the sender’s identity, are rooted in the conviction that time is poli-tical. The uncontrollable circulation of the filmed extension of time, dis-seminated and spreading the risk of contagion as widely as possible,
relies on the subversive strategies of Actionism – and the outcome is unclear.
Exhibitions | Prizes (Selection): 27th International Biennale Sao Paulo, Brazil; 9th Biennale Habana, Cuba; 7th Biennale of Video and New Medias, Santiago, Chile; Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; The Artists Cinema, Frieze Art Fair, Regent’s Park, London, UK; KunstFilmBiennale Köln 2005, Köln, Germany; Art Outsiders, Paris, France, 14th and 15th International Festival of Electronic Art – VideoBrasil, Sao Paulo, Brazil, Nomination Nam June Paik Award 2006, Köln; Grand Prize 51st International Short Film Festival Oberhausen 2005; Pampulhas’s Grant, BHz, Brazil
For detailed press information and photos, please contact Jutta Voorhoeve at jv@carliergebauer.com or by phone +49 (0) 30 240 85 211.
carlier | gebauer
Holzmarktstraße 15–18, Bogen 51/52 | 10179 Berlin | Germany
Tel +49 (0)30 2808110 | Fax +49 (0)30 2808109
office@carliergebauer.com | www.carliergebauer.com
Exhibitions | Prizes (Selection): 27th International Biennale Sao Paulo, Brazil; 9th Biennale Habana, Cuba; 7th Biennale of Video and New Medias, Santiago, Chile; Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; The Artists Cinema, Frieze Art Fair, Regent’s Park, London, UK; KunstFilmBiennale Köln 2005, Köln, Germany; Art Outsiders, Paris, France, 14th and 15th International Festival of Electronic Art – VideoBrasil, Sao Paulo, Brazil, Nomination Nam June Paik Award 2006, Köln; Grand Prize 51st International Short Film Festival Oberhausen 2005; Pampulhas’s Grant, BHz, Brazil
For detailed press information and photos, please contact Jutta Voorhoeve at jv@carliergebauer.com or by phone +49 (0) 30 240 85 211.
carlier | gebauer
Holzmarktstraße 15–18, Bogen 51/52 | 10179 Berlin | Germany
Tel +49 (0)30 2808110 | Fax +49 (0)30 2808109
office@carliergebauer.com | www.carliergebauer.com
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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by Sapien