MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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(03/12/2015)
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Marcellvs L. & Daniel Löwenbrück at NK Berlin (10/31/2014)
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Marcellvs L. at Singularidades/Anotações – Rumos Artes Visuais 1998-2013 (08/27/2014)
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Marcellvs L. & Munan Øvrelid at Skaftfell Summer Exhibition (06/19/2014)
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Marcellvs L. at MAC Lyon - Musée d'Art Contemporain de Lyon (06/19/2014)
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Marcellvs L. Indiferença at Galeria Luisa Strina (09/10/2013)
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Marcellvs L. at the 18th Contemporary Art Festival Videobrasil (09/09/2013)
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Marcellvs L. at Astrup Fearnley Museet (09/09/2013)
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Marcellvs L. | Künstlerhaus Bethanien (05/24/2013)
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Marcellvs L. at carlier | gebauer "Die Wahrscheinlichkeit, dass nichts passiert" (01/18/2013)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Inconsistencies  (09/11/2013)

ALEXANDER KLUGE: The cosmos is cold.
HEINER MÜLLER: Dreamless.
ALEXANDER KLUGE: Dreamlessly cold.

Marcellvs L.’s work moves on the line separating presence from absence, the consistency of reality from its inconsistency. It indicates the space of undecidability between 0 and 1 or, to put it in philosophical terms, between nothingness and reality. Infinitesimal calculus studies the infinitely small (infinitesimal) intervals in the various fields of mathematics. I think that Marcellvs’s work does the same; but with the means of art. We can distinguish between two registers, the register of finitude (which is constituted reality, the world of real numbers) and the register of infinitude (which describes the unreality of zero or of nothingness). Translated into Lacanian categories, this would be the difference of reality from the real. Everything is decided by the differentiation between these two orders, of which the first marks consistency, the second, inconsistency.

I believe that Marcellvs ultimately insists on the undecidability of the register of consistency from that of inconsistency. Time and again, his films point toward the spectral dividing line that ties these registers together as much as it separates them from each other. Hence the ghostly streak of his work. The ground and the groundlessness of the abyss coincide. Reality and unreality are crossed, and as they cross, they engender a phantomlike interstitial zone that lets our certainties falter. I would accordingly speak of the implicit ontology in Marcellvs’s work. Ontology occupies itself with being and with presence.
It does so—already in Parmenides, for example—by distinguishing the sphere of being from the sphere of nothingness. Being and nothingness, presence and absence are fundamental categories of ontology. Now, twentieth-century philosophy, taking its cue from Nietzsche, articulated itself as a philosophical critique of metaphysics by calling ontology in question. Derrida’s deconstruction of logocentric metaphysics is a deconstruction of the ontology of substance and subject correlative to it. It proceeds by interlocking the category of presence with that of absence. Presence is always also absence. There is presence only as absentic presence. The category of disappearance becomes central. Deleuze, for his part, speaks of becoming. Both Derrida and Deleuze invoke Maurice Blanchot, whose literature (like several important texts and films by Marguerite Duras) opens up a spectral space that is the space of undecidability between being and nothingness. It is the phantomlike zone of a general ontological instability.

Reality proves to be a promise of consistency that is broken. Reality is a fiction, a narrative. It is a sort of fabric full of wholes, continually translucent to its own impermanence. Deleuze called this fabric an immanence level; in Wittgenstein, it is called form of life or language-game. Lacan speaks of the symbolic order. All are floating architectures strung like fragile nets over the abyss of inconsistency, which Deleuze, with Nietzsche, calls the chaos. Marcellvs’s works point into that chaos. They do so with great precision.

Marcus Steinweg


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Marcellvs L. at noestudio  (10/12/2012)

Marcellvs L. at Today Art Museum Beijing  (08/04/2010)

From 15 August until 28 August, 2010 the Today Art Museum Beijing will host the exhibition "Stadt am Rande", curated by Pierre Wolter and Melanie Zagrean. Initiated by the Goethe Institute Beijing and transmediale, it mostly presents Berlin-based artists working – in extraordinary ways – on 'urban topology'. Materialistic and virtual topologies are the topics of transmediale Award 2010 winner Michelle Teran and BoredomResearch whereas Bengt Sjölén, Adam Somlai Fischer and Matthias Fitz as well as Maria Vedder, Tudor Bratu and Martin Howse work with invisible and immaterialistic topologic structures. Julian Oliver, Dave Ball and Julius von Bismarck sabotage existing structures, Mader | Stublic | Wiermann und Marcellvs L. re-interpret them and Miles Chalcraft discovers long established topolgies anew. Niklas Goldbach und Marc Aschenbrenner critically reflect on the interplay between society and the complexity of structures.

Dates:
16 August - 28 August 2010
Opening: 15 August, 2010 at 19h

Opening Hours:
Everyday 9 - 17h

Venue:
Today Art Museum Beijing
北京市朝阳区百子湾路32号
China
010-58760600


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9e Biennale de Lyon 2007  (09/14/2007)

00s - The History of a Decade That Has Not Yet Been Named

Conceived of as a history and geography manual in the form of a game, the 2007 Lyon Biennial is inviting sixty-six Players from all over the world. Forty-nine of them (curators, art critics...) are being asked to answer the following question: "Who, in your opinion, in the artist who best represents this decade?". Seventeen other Players - artists - each devising a program, a system or a problematics intended to define the decade in progress.

Player - Curator: Adriano Pedrosa
Guest artisit: Marcellvs L.

Dates: Wednesday 19 September 2007 - Sunday 6 January 2008

Opening Hours:
Tuesday-Sunday 12:00 - 19:00
Late night opening: Fridays: 12:00 - 22:00
Closed Mondays

Exhibition Venues:

La Sucrière - Confluent
Port Rambaud, quai Rambaud, 69002 Lyon

Villeurbanne Institute of Contemporary Art
11, rue Docteur Dolard, 69100 Villeurbanne
Bullukian Foundation
26 Place Bellecour – 69002 Lyon

Lyon Museum of Contemporary Art Cité Internationale
81, quai Charles de Gaulle, 69006 Lyon


*Image: Marcellvs L.
spree, 2007
one-channel video installation, four-channel sound system
07'06"


More Information:
www.biennale-de-lyon.org


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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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Wer mich lenkt ist das Meer (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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 by Sapien