Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
Dates:
04 December 2009 - 14 February 2010
Opening: 03 December, 2009 at 19h
Opening Hours:
Tuesday - Sunday 15:30 - 21h
Venue:
Centro Municipal de Exposiciones - SUBTE
Plaza Fabini (del Entrevero) 18 de Julio y J.H Obes.
Montevideo, Uruguay
More Info:
http://www.subte.org.uy/index_1.html
http://www.goethe.de/ins/uy/mot/de5328844v.htm
04 December 2009 - 14 February 2010
Opening: 03 December, 2009 at 19h
Opening Hours:
Tuesday - Sunday 15:30 - 21h
Venue:
Centro Municipal de Exposiciones - SUBTE
Plaza Fabini (del Entrevero) 18 de Julio y J.H Obes.
Montevideo, Uruguay
More Info:
http://www.subte.org.uy/index_1.html
http://www.goethe.de/ins/uy/mot/de5328844v.htm
Posted by: caosmos.org
ars viva 07/08 | Kunstverein Hannover (02/27/2008)
We are pleased to announce ars viva's second exhibition at Kunstverein Hannover, Germany
Dates:
16 February 2008 - 06 April 2008
Opening Reception: Friday 15 February, 2007
Opening hours:
tue.-sat. 12-19 h, sundays and holiday 11-19 h
Venue:
Kunstverein Hannover e.V.
Sophienstraße 2
30159 Hannover
mail@kunstverein-hannover.de
Image:
Marcellvs L.'s spree installation view
Marcellvs L.'s ebbing.flowing installation view
ars viva 07/08 (04/02/2007)
We are pleased to inform that the Cultural Committee of BDI has awarded the ars viva price 07/08 to Marcellvs L., Nico Dockx, Florian Hecker and Astrid Nippoldt. The official award ceremony will take place in the context of the annual meeting of the Cultural Committee from October 05 -07, 2007 in Leverkusen (Germany). There the first ars viva exhibition at Museum Schloss Morbroich will be opened on Sunday, October 07, 2007 at 11:30 a.m.
The dates for the subsequent ars viva exhibition are:
Kunstverein Hannover, February 16, 2008 - April 06, 2008
Opening: Friday, February 15, 2008, 08:00 p.m.
Contemporary Art Centre, Vilnius, May 24 - August 15, 2008
Opening: Friday, May 23, 06:00 p.m.
More information coming soon.
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Catalogue Nam June Paik Award 2006 (06/12/2007)
"Singular Images" - Author: Solange Farkas
The Work of Marcellvs L. is extremely particular, his œuvre possesses the actuality to reproduce itself in a context of intense imagetic profusion. His very experimental production that belongs to the electronic arts’ universe attracts attention through its radical concept and through the intensity with which it associates philosophical concepts and the electronic image.
His work places itself in a zone of undiscernibility, which turns it inapprehensible by this or that audiovisual genre. It operates between documentary and experimental video, between the objective and the subjective and “between” these genres; it creates its own discursive universe, provoking extraordinary thoughts.
His videos relate themselves almost always to events and people that find themselves distant from the cameras and that do not know of their presence. Almost without recourse to editing, they show long sequences in black and white of anonymous people and their quotidian and that are subtly revealed through the operation of the digital zoon, a recurrent practice in the œuvre of the artist. However, instead of revealing reality, they end up turning it into an invention, a mirage.
The fixed camera offers a banal image, homemade, precarious: A man walks slowly, faraway. He comes closer whilst the camera follows him through a zoom out almost unperceivable. A flooding forms a river that crosses the street where he walks. The zoom turns the scene into a shaky, impressionist scene.
Naturally, without any hesitation the man starts to cross the river, slowly sinking, until it covers almost all of his body. He comes out of the water and continues to walk through the street and passes by the camera, without acknowledging its presence. The award winning video, man road river, ends when the man exits the scene, without credit, without subtitles.
The duration in his works is fundamental, as it amplifies the possibilities for image perception, tensioning even more the relations between the real and time, as observed byCezar Migliorin in his article in “Contratempo – Revista de Cinema”: “Different from the frequent chronological subversions that modern cinema brought to narratives, searching a chronic and not linear time, what happens here is that the linearity of the long shot comes into explicit conflict with the time organized into sequences of ellipses”.
To produce his videos, Marcellvs acts doubly as a patient and astute catcher of imagetic moments and as a meticulous interventionist by using all of the technological means possible to enhance the singularity of these moments. The contingency of the capture of the events is fundamental in the production of his videos. Revealing aesthetic events of great potency thanks to the alert gaze mediated by the camera and to the sophisticated sound treatment are a result of his musical training and partnership with the musical collective pexbaA.
The duration in his works is fundamental, as it amplifies the possibilities for image perception, tensioning even more the relations between the real and time, as observed byCezar Migliorin in his article in “Contratempo – Revista de Cinema”: “Different from the frequent chronological subversions that modern cinema brought to narratives, searching a chronic and not linear time, what happens here is that the linearity of the long shot comes into explicit conflict with the time organized into sequences of ellipses”.
To produce his videos, Marcellvs acts doubly as a patient and astute catcher of imagetic moments and as a meticulous interventionist by using all of the technological means possible to enhance the singularity of these moments. The contingency of the capture of the events is fundamental in the production of his videos. Revealing aesthetic events of great potency thanks to the alert gaze mediated by the camera and to the sophisticated sound treatment are a result of his musical training and partnership with the musical collective pexbaA.
Commented by: nam june pail award 2006
Nam June Paik Award 2006 | Video Documentation (02/08/2007)
International Media Art Award of the Arts Foundation North Rhine Westphalia
Exhibition in the Museum of Applied Arts, Cologne, Germany
Artists:
Abu Ali*Toni Serra
Allora & Calzadilla
Ceal Floyer
Marcellvs L.
Matthew Buckingham
ressentiment
Róbert Langh
Stephen Vitiello
Video Documentation by Veit Landwehr and Tom May
Exhibition in the Museum of Applied Arts, Cologne, Germany
Artists:
Abu Ali*Toni Serra
Allora & Calzadilla
Ceal Floyer
Marcellvs L.
Matthew Buckingham
ressentiment
Róbert Langh
Stephen Vitiello
Video Documentation by Veit Landwehr and Tom May
untitle:rope | installation's view (05/05/2007)
Installed at the Nam June Paik Award 2006, Museum für Angewandte Kunst, Köln, Germany
video documentation by carlier | gebauer
frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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Wer mich lenkt ist das Meer (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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Wer mich lenkt ist das Meer (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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