Marcellvs L. at carlier | gebauer "Die Wahrscheinlichkeit, dass nichts passiert" (01/18/2013)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
Featuring videos, performances, installations, objects, publications, paintings, photographs, among others, the exhibition provides a comprehensive sampling of contemporary production from different regions of the world's geopolitical South—Latin America, Africa, Eastern Europe, the Middle East, and Asia. From September/October to December, the Southern Panoramas section of the Festival will occupy an area of approximately two thousand square meters at SESC Belenzinho, in the east side of São Paulo.
Dates:
01 October - 11 December 2011
Opening 30 September 2011 at 20h
Opening Hours:
Tuesday to Sunday 9 - 20h
Venue:
SESC Belenzinho
Rua Padre Adelino 100, Belém
São Paulo/SP
03303-000 Brazil
More info:
www.videobrasil.org.br
Dates:
01 October - 11 December 2011
Opening 30 September 2011 at 20h
Opening Hours:
Tuesday to Sunday 9 - 20h
Venue:
SESC Belenzinho
Rua Padre Adelino 100, Belém
São Paulo/SP
03303-000 Brazil
More info:
www.videobrasil.org.br
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
Die Neue Galerie – Auftritt im Schloss! Auf dem Weg zur Wiedereröffnung 2011
With Works from:
Paul Baum / Joseph Beuys / Alighiero Boetti / Antonio Calderara / Lovis Corinth / Gustave Courbet / Danica Dakic / Piero Dorazio / Max Ernst / Conrad Felixmüller / Otto Freundlich / Andrea Geyer / Raimund Girke / Alan Green / Otto Greis / Richard Hamilton / Curt Herrmann / Hannah Höch / K. H. Hödicke / Carl Hofer / Alexej von Jawlensky / Alexander Kanoldt / Ernst Ludwig Kirchner / Nina Kluth / Louis Kolitz / Alfons Lachauer / Berto Lardera / Henri Laurens / Max Liebermann / Hans Makart / Marcellvs L. / Georg Muche / Ernst Wilhelm Nay / Claes Oldenburg / George Osodi / Sigmar Polke / Arnulf Rainer / Gerhard Richter / Auguste Rodin / Diet Sayler / Jan J. Schoonhoven / Emil Schumacher / Max Slevogt / Hito Steyerl / Johann H. Tischbein d. Ä. / Frederic M. Thursz / Wolf Vostell / Ai Weiwei / Jerry Zeniuk
Dates:
21 November 2009 - 10 April 2010
Opening: 21 December, 2009 at 19h
Opening Hours:
Tuesday - Sunday 10 - 17h
Venue:
Museumslandschaft Hessen Kassel
Schloss Wilhelmshöhe
34131 Kassel, Germany
Contact:
+49 (0)561/ 3 16 80 – 123
besucherdienst@museum-kassel.de
More Info:
http://www.museum-kassel.de/index_navi.php?parent=3343
+49 (0)561/ 3 16 80 – 123
besucherdienst@museum-kassel.de
More Info:
http://www.museum-kassel.de/index_navi.php?parent=3343
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WBK Vrije Academie Prize (10/08/2007)
Marcellvs L. have received the Videobrasil WBK Vrije Academie Prize. Supported by the Prince Claus Fund, the Videobrasil Residency Programme benefits artists participating in the Festival’s competitive exhibition.
The programme’s partners are the Le Fresnoy Studio National des Arts Contemporains (France), the French Consulate General in Brazil, Alliance Française, Fundação Armando Alvares Penteado, and the WBK Vrije Academie (The Netherlands), with the collaboration of Capacete Entretenimentos (Brazil) and Instituto Sacatar (Brazil).
The first residencies will be undertaken in 2008 and 2009, in France, The Netherlands, and Brazil.
The winning artists were selected by a commission comprised of Solange Farkas and Ana Pato (Associação Cultural Videobrasil), Tom van Vliet (WBK Vrije Academie), Marcos Moraes (FAAP), Helmut Batista (Capacete), and Inês Raphaelian and John Taylor Van Horne (of Instituto Sacatar).
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
untitle:rope will be showed for the first time in Brazil. The video installation was selected for the 16th International Electronic Art Festival - VideoBrasil.
untitle:rope is an associative video work: through simultaneous projection, ropes moving in the water seem to span a corner of the room. The video installation draws its appeal from the strikingly minimal visual material it is based on.
16th International Electronic Art Festival - VideoBrasil
The desire to break and/or change the paradigms that guide the practices of contemporary art and cinema is the foundation for the curatorial framework.
Date:
From September 30 through October 25, 2007
Venue:
SESC Avenida Paulista
Av. Paulista, 119,
São Paulo - SP
Information:
+55 11 36450516
info@videobrasil.org.br
www.videobrasil.org.br
untitle:rope is an associative video work: through simultaneous projection, ropes moving in the water seem to span a corner of the room. The video installation draws its appeal from the strikingly minimal visual material it is based on.
16th International Electronic Art Festival - VideoBrasil
The desire to break and/or change the paradigms that guide the practices of contemporary art and cinema is the foundation for the curatorial framework.
Date:
From September 30 through October 25, 2007
Venue:
SESC Avenida Paulista
Av. Paulista, 119,
São Paulo - SP
Information:
+55 11 36450516
info@videobrasil.org.br
www.videobrasil.org.br
Posted by: caosmos.org
ebbing.flowing | installation's view (01/18/2007)
photo by bernd borchardt
Wer mich lenkt ist das Meer (01/08/2007)
carlier | gebauer
Press release
Marcellvs L. | Wer mich lenkt ist das Meer | Arch 51, 52
13th January – 17th February 2007, Tuesday to Saturday, 11 a.m. - 6 p.m.
Vernissage: Friday, 12th January 2007, 6 p.m.
We are delighted to announce Marcellvs L.’s first gallery exhibition at carlier | gebauer.
In his works Brazilian video-artist Marcellvs L. (1980, Belo Horizonte, Brazil) slows down time, creating a tangible physical staging of time. He sets the most commonplace objects in a filmic modus of duration, seemingly detached from reality: a rope moves in water (“untitle:rope”), a man walks along a street, wind blows through leaves, a boat moves slowly to and fro (“ebbing. flowing”).
Despite digital retouching processes, Marcellvs L. forges on with an aesthetic of the raw visual material, asserting, through the pixels and electrons that remain visible, its status as incidental, unfinished. The contingency of what is depicted or filmed is reiterated, subtly staged, on the representational level. This two-pronged approach underscores the process- and event-oriented nature of his films; nothing happens in these works, which have a radically anti-narrative structure. The actual event is the extension of time, while duration is the real protagonist. Marcellvs L. banks provocatively on the patience of the viewer, compelled to wait, only to discover the waiting has been in vain, realising ultimately that the focus is actually on a heightened form of his or her own attention
Press release
Marcellvs L. | Wer mich lenkt ist das Meer | Arch 51, 52
13th January – 17th February 2007, Tuesday to Saturday, 11 a.m. - 6 p.m.
Vernissage: Friday, 12th January 2007, 6 p.m.
We are delighted to announce Marcellvs L.’s first gallery exhibition at carlier | gebauer.
In his works Brazilian video-artist Marcellvs L. (1980, Belo Horizonte, Brazil) slows down time, creating a tangible physical staging of time. He sets the most commonplace objects in a filmic modus of duration, seemingly detached from reality: a rope moves in water (“untitle:rope”), a man walks along a street, wind blows through leaves, a boat moves slowly to and fro (“ebbing. flowing”).
Despite digital retouching processes, Marcellvs L. forges on with an aesthetic of the raw visual material, asserting, through the pixels and electrons that remain visible, its status as incidental, unfinished. The contingency of what is depicted or filmed is reiterated, subtly staged, on the representational level. This two-pronged approach underscores the process- and event-oriented nature of his films; nothing happens in these works, which have a radically anti-narrative structure. The actual event is the extension of time, while duration is the real protagonist. Marcellvs L. banks provocatively on the patience of the viewer, compelled to wait, only to discover the waiting has been in vain, realising ultimately that the focus is actually on a heightened form of his or her own attention
and perception.
Generating a permanent delay however has nothing to do with deprivation in the Beckettian sense of the term: the time that does not pass constructs a locus that is not just an interface between the unconscious and reality, but instead allows perception to take on physical form. This physicality, produced by the sound and rhythm of the films too, makes the videos into passages for the viewer, turns the films into a space of transit in which he or she is confronted with the potential of what is possible.
The videos focus on details devoid of context that determine the image. The minimal content contained in the minimalist film image – the videos border on abstraction and operate with vanishing contours – does not even allow representation to occur; it becomes one with the surface of the expanded time.
In the “VideoRhizome” series he has been working on since 2002 – the title highlights the reference to Deleuze/Guattari – Marcellvs L. has developed a concept of infection and action as components of his art. The 2,480 tapes sent at random to households around the world since 2002, with no indica-tion the sender’s identity, are rooted in the conviction that time is poli-tical. The uncontrollable circulation of the filmed extension of time, dis-seminated and spreading the risk of contagion as widely as possible,
Generating a permanent delay however has nothing to do with deprivation in the Beckettian sense of the term: the time that does not pass constructs a locus that is not just an interface between the unconscious and reality, but instead allows perception to take on physical form. This physicality, produced by the sound and rhythm of the films too, makes the videos into passages for the viewer, turns the films into a space of transit in which he or she is confronted with the potential of what is possible.
The videos focus on details devoid of context that determine the image. The minimal content contained in the minimalist film image – the videos border on abstraction and operate with vanishing contours – does not even allow representation to occur; it becomes one with the surface of the expanded time.
In the “VideoRhizome” series he has been working on since 2002 – the title highlights the reference to Deleuze/Guattari – Marcellvs L. has developed a concept of infection and action as components of his art. The 2,480 tapes sent at random to households around the world since 2002, with no indica-tion the sender’s identity, are rooted in the conviction that time is poli-tical. The uncontrollable circulation of the filmed extension of time, dis-seminated and spreading the risk of contagion as widely as possible,
relies on the subversive strategies of Actionism – and the outcome is unclear.
Exhibitions | Prizes (Selection): 27th International Biennale Sao Paulo, Brazil; 9th Biennale Habana, Cuba; 7th Biennale of Video and New Medias, Santiago, Chile; Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; The Artists Cinema, Frieze Art Fair, Regent’s Park, London, UK; KunstFilmBiennale Köln 2005, Köln, Germany; Art Outsiders, Paris, France, 14th and 15th International Festival of Electronic Art – VideoBrasil, Sao Paulo, Brazil, Nomination Nam June Paik Award 2006, Köln; Grand Prize 51st International Short Film Festival Oberhausen 2005; Pampulhas’s Grant, BHz, Brazil
For detailed press information and photos, please contact Jutta Voorhoeve at jv@carliergebauer.com or by phone +49 (0) 30 240 85 211.
carlier | gebauer
Holzmarktstraße 15–18, Bogen 51/52 | 10179 Berlin | Germany
Tel +49 (0)30 2808110 | Fax +49 (0)30 2808109
office@carliergebauer.com | www.carliergebauer.com
Exhibitions | Prizes (Selection): 27th International Biennale Sao Paulo, Brazil; 9th Biennale Habana, Cuba; 7th Biennale of Video and New Medias, Santiago, Chile; Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; The Artists Cinema, Frieze Art Fair, Regent’s Park, London, UK; KunstFilmBiennale Köln 2005, Köln, Germany; Art Outsiders, Paris, France, 14th and 15th International Festival of Electronic Art – VideoBrasil, Sao Paulo, Brazil, Nomination Nam June Paik Award 2006, Köln; Grand Prize 51st International Short Film Festival Oberhausen 2005; Pampulhas’s Grant, BHz, Brazil
For detailed press information and photos, please contact Jutta Voorhoeve at jv@carliergebauer.com or by phone +49 (0) 30 240 85 211.
carlier | gebauer
Holzmarktstraße 15–18, Bogen 51/52 | 10179 Berlin | Germany
Tel +49 (0)30 2808110 | Fax +49 (0)30 2808109
office@carliergebauer.com | www.carliergebauer.com
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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by Sapien