Marcellvs L. at carlier | gebauer "Die Wahrscheinlichkeit, dass nichts passiert" (01/18/2013)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
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Marcellvs L. at n.b.K. | Kunst und Philosophie (06/24/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
"KLAVIERWELLEN" (Piano Waves) was recorded on November 4th, 2010 in the
lagoons of Venice with a grand piano in an upside down position being
transported on a small boat. Two contact and two omnidirectional
microphones were positioned on the soundboard of the grand piano to
record the resonances of the strings, waves, motor, boats... the sounds
of the environment of the lagoons filtered by the piano's acoustic
properties.
Released by TOCHNIT ALEPH, the sleeve features an essay by german philosopher Marcus Steinweg.
Mastering & cut by Rashad Becker. Layout by Maren von Stockhausen.
Edition of 500 copies, deluxe 350g sleeve, 180g white Vinyl, black polylined innersleeved.
Order: TOCHNIT ALEPH
Released by TOCHNIT ALEPH, the sleeve features an essay by german philosopher Marcus Steinweg.
Mastering & cut by Rashad Becker. Layout by Maren von Stockhausen.
Edition of 500 copies, deluxe 350g sleeve, 180g white Vinyl, black polylined innersleeved.
Order: TOCHNIT ALEPH
Posted by: caosmos.org
Marcellvs L. at NGBK (01/19/2012)
Stipendiatinnen und Stipendiaten des Arbeitsstipendiums für Bildende Kunst des Berliner Senats 2011
RealismusStudio
In an annual selection the Berlin Senate awards artists with a work scholarship. In the exhibition „Selected Artists 2011“ the NGBK‘s RealismusStudio presents their recent works.
Nevin Aladag, Eva Bertram, Hella Gerlach, Brad Hwang, Marc Klee, Andreas Koch, Marcellvs L., Hajnal Németh, Judy Ross, Ines Schaber, Franz von Stauffenberg, Fiete Stolte, Benedikt Terwiel, Wawrzyniec Tokarski and Suse Weber.
A catalog will be published.
Dates:
21 January - 12 February 2012
Opening: 20 January 2012
Opening Hours:
Daily 12 - 19h
Thursday - Saturday 12 - 20h
Venue:
Neue Gesellschaft für Bildende Kunst e.V.
Oranienstraße 25
D-10999 Berlin
More info:
www.ngbk.de
RealismusStudio
In an annual selection the Berlin Senate awards artists with a work scholarship. In the exhibition „Selected Artists 2011“ the NGBK‘s RealismusStudio presents their recent works.
Nevin Aladag, Eva Bertram, Hella Gerlach, Brad Hwang, Marc Klee, Andreas Koch, Marcellvs L., Hajnal Németh, Judy Ross, Ines Schaber, Franz von Stauffenberg, Fiete Stolte, Benedikt Terwiel, Wawrzyniec Tokarski and Suse Weber.
A catalog will be published.
Dates:
21 January - 12 February 2012
Opening: 20 January 2012
Opening Hours:
Daily 12 - 19h
Thursday - Saturday 12 - 20h
Venue:
Neue Gesellschaft für Bildende Kunst e.V.
Oranienstraße 25
D-10999 Berlin
More info:
www.ngbk.de
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Marcellvs L. at História do Futuro (04/27/2009)
Dates:
07 May - 23 May 2009
Opening: 06 May, 2009 at 18h
Opening Hours:
Thursday to Saturday 15-19h
Venue:
ASSOCIAÇÃO ARTE CONTEMPO
R. dos Navegantes 46A
1200-732 Lisbon (Estrela/Lapa)
Portugal
http://estadosgeraisinfo.blogspot.com/2009/03/historia-do-futuro.html
07 May - 23 May 2009
Opening: 06 May, 2009 at 18h
Opening Hours:
Thursday to Saturday 15-19h
Venue:
ASSOCIAÇÃO ARTE CONTEMPO
R. dos Navegantes 46A
1200-732 Lisbon (Estrela/Lapa)
Portugal
http://estadosgeraisinfo.blogspot.com/2009/03/historia-do-futuro.html
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
Ouverture – Marcellvs L.
by Rodrigo Moura
For a number of years, Marcellvs L.’s first video works only circulated from hand-to-hand, via DVD copies produced by the artist himself. Since that time and still today, the artist sends these copies by mail to addresses randomly chosen in the telephone book. The method he uses to title these works is likewise a throw of the dice, the same one he employs to select the addresses that will receive the videos – an open and independent strategy that has a lot to say about his economy of means. “VideoRhizomes” is the title the artist gave to this ongoing series initiated in 2002. The imponderability of time and its political implications seem to be the primary motives behind Marcellvs L.’s works as well as their original mode of circulation.
“Independence means urgency”, the artist once said to me. This means that he often shoots his video alone, using a high-definition portable camera. Once on site, as in the best cinéma verité tradition, the artist captures somewhat mysterious scenes in which lonesome characters are experientially confronted with the passage of time in big cities or in the countryside. In other pieces images come from intriguing shots of the landscape. For Marcellvs L., being on site is a significant part of the work, a process that often results in the unexpected, because in seeking one thing he sometimes ends up finding another. In almost all his videos, there is, however, a radical transformation of the real in the way the images are captured. This could be on account of where the camera finds itself in relation to the scenes (either very close or very
by Rodrigo Moura
For a number of years, Marcellvs L.’s first video works only circulated from hand-to-hand, via DVD copies produced by the artist himself. Since that time and still today, the artist sends these copies by mail to addresses randomly chosen in the telephone book. The method he uses to title these works is likewise a throw of the dice, the same one he employs to select the addresses that will receive the videos – an open and independent strategy that has a lot to say about his economy of means. “VideoRhizomes” is the title the artist gave to this ongoing series initiated in 2002. The imponderability of time and its political implications seem to be the primary motives behind Marcellvs L.’s works as well as their original mode of circulation.
“Independence means urgency”, the artist once said to me. This means that he often shoots his video alone, using a high-definition portable camera. Once on site, as in the best cinéma verité tradition, the artist captures somewhat mysterious scenes in which lonesome characters are experientially confronted with the passage of time in big cities or in the countryside. In other pieces images come from intriguing shots of the landscape. For Marcellvs L., being on site is a significant part of the work, a process that often results in the unexpected, because in seeking one thing he sometimes ends up finding another. In almost all his videos, there is, however, a radical transformation of the real in the way the images are captured. This could be on account of where the camera finds itself in relation to the scenes (either very close or very
far away) or on account of a highly charged pictorial presence.
Despite the resources of digital post-production, it is by the way the
camera reads the world that his videos create personal and outstanding
vision of the real. His moving images are hypnotic mirages directly
captured from the world, mediated by radical camera filters: either
highly grained or pixilated monochrome renderings that, at times,
literally dissolve before the lens.
In one of his first videos 0314 (2002), images of rain falling on a roof are slowly revealed in high-contrast black-and-white (recorded with colour), producing a happenstance graphic quality as the sound becomes violently louder and louder. For his works, post-production of sound is also key, in collaboration with sound artist João Marcelo. In another video, 0667 (2003), a man is depicted slowly walking down a road, while cars continue on in high speed in the lane across from him. It is only just recently that his work has begun to circulate in the art world, notably in the last São Paulo Biennial, where it was prominently presented, or in a solo show in his home town Belo Horizonte’s Museu de Arte da Pampulha, where a compilation of more than 2 hours was screened on a loop, featuring more than 10 videos. In his more recent works, like the video-installation ebbing.flowing (2006), also shown at the São Paulo’s Biennial, a spatial-sensorial aspect is stressed, indicating new and more complex
In one of his first videos 0314 (2002), images of rain falling on a roof are slowly revealed in high-contrast black-and-white (recorded with colour), producing a happenstance graphic quality as the sound becomes violently louder and louder. For his works, post-production of sound is also key, in collaboration with sound artist João Marcelo. In another video, 0667 (2003), a man is depicted slowly walking down a road, while cars continue on in high speed in the lane across from him. It is only just recently that his work has begun to circulate in the art world, notably in the last São Paulo Biennial, where it was prominently presented, or in a solo show in his home town Belo Horizonte’s Museu de Arte da Pampulha, where a compilation of more than 2 hours was screened on a loop, featuring more than 10 videos. In his more recent works, like the video-installation ebbing.flowing (2006), also shown at the São Paulo’s Biennial, a spatial-sensorial aspect is stressed, indicating new and more complex
possibilities for the
relation between camera and projection. In this two-channels
synchronized video installation, images of a boat on a beach are taken
from another boat while the ocean simultaneously ebbs and flows in each
of the screens. What interests the artist here is the loss of stable
ground and the sublimation of the tripod: suggestively shooting to the
sensibility of the moving waves. Finally, as he said, “However minor it
may seem, every aesthetic act is both political and ethical.”
Rodrigo Moura is an art critic and curator at Inhotim Centro de Arte Contemporânea in Minas Gerais, Brazil
http://www.flashartonline.com/
Rodrigo Moura is an art critic and curator at Inhotim Centro de Arte Contemporânea in Minas Gerais, Brazil
http://www.flashartonline.com/
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. at ZKM | Zentrum für Kunst und Medientechnolgie (05/25/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ballads from our Invisibles Parks (07/30/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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Nam June Paik Award 2006 | Video Documentation (02/08/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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Wer mich lenkt ist das Meer (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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27ª Bienal de São Paulo (12/04/2006)
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44th New York Film Festival (12/04/2006)
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by Sapien